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Description archivistique
Sadler's Wells Opera Company (1931-1968)
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John Cameron and students

  • GB GB1179 JCA
  • Collection
  • 1968-1997

There is one programme of a competition at which John Cameron was an adjudicator; one programme of a production for Sadlers Wells in which John Cameron appeared; and the rest are all programmes of productions in which John Cameron's students ...

Cameron, John Ewen (1918-2002), bass baritone singer

Manon, Massenet

With the Sadlers Wells chorus and orchestra (conducted by Charles Mackerras). Elizabeth played the role of Manon. The recording was made on 24 Jan 1974 at the Sadlers Wells Theatre.

Rigoletto, Verdi (Highlights)

Produced by EMI. Elizabeth played the role of Gilda, and performed with Sadler's Wells Opera. The Orchestra was conducted by James Lockhart. There is one LP in this edition.

EMI Records (1931-2012)

Iolanthe, Gilbert and Sullivan (Highlights)

Produced by HMV, and was performed by the orchestra and chorus of Sadler's Wells Opera. Elizabeth played the role of Phyllis. They were conducted by Alexander Faris. There is one LP in this edition.

His Master's Voice (1921-present), music label

Programmes and letters 1962-1963

Programmes for every performance, arranged chronologically. Included is a summary sheet of performances with repertoire and location, 1962-1963. Also included are; letter from Frederic Cox, Royal Manchester College of Music, 18 Jul 1963, congratul...

Contracts and other papers

The majority of these papers concern arrangements between Ibbs & Tillett and Elizabeth. Other contracts include Glyndebourne Opera, the BBC, the Decca Record Company, and Sadlers Wells Opera. Correspondence is also included, for example a le...

Income and expenditure statements and other papers

Includes a note from Sadlers Wells Theatre re Elizabeth's total earnings for the year 1962-1963; Ibbs & Tillett note re her total fees for the same period; and a copy of the income and expenditure account for the year.

From Lucie Manen, Tyrol

Congratulates Harwood on recieving lots of singing offers, especially those from [Sadlers] Wells and the Scottish [National Opera] which Manen discusses. Gives personal news.

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